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Quran Stylistic Continuity
morphemes, and unusual |words. The study reveals the stylistic continuity and distinctiveness of the text as a whole. As far as this point is concerned, the present study makes palpable what we knew already: no competent and seasoned scholar of the Qur'an, while aware of the stylistic variation in the text, could lose sight of its underlying unity. Also established now is the general integrity of many passages of long and medium size. That goes against Richard Bell’s instincts. His thought- provoking vision, while not implausible historically, now appears to have been ® For a discussion of some of the evidence, see Behnam Sadeghi, “The Codex of a Compan- ion of the Prophet and the Qur'an of the Prophet”, cited above in footnote 4. B. Sadeghi / Arabica 58 (2011) 210-299 289 misguided. Not only do eighteen test cases examined display a surprising degree of stylistic unity (Section 5), but also on his viewpoint one would be hard-pressed to explain the degree of concurrent smoothness Moreover, one would expect revisions of earlier passages to dilute their stylistic distinctiveness. In fact, while it cannot be denied that the Prophet revised some passages over time, the present study shows that such revisions could not have been extens ive There are also Dion: for the Sira literature. It has always been evident

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TitleQuran Stylistic Continuity
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morphemes, and unusual |words.
The study reveals the stylistic continuity and distinctiveness of the text as a
whole. As far as this point is concerned, the present study makes palpable what
we knew already: no competent and seasoned scholar of the Qur'an, while aware
of the stylistic variation in the text, could lose sight of its underlying unity.
Also established now is the general integrity of many passages of long
and medium size. That goes against Richard Bell’s instincts. His thought-
provoking vision, while not implausible historically, now appears to have been
® For a discussion of some of the evidence, see Behnam Sadeghi, “The Codex of a Compan-
ion of the Prophet and the Qur'an of the Prophet”, cited above in footnote 4.
B. Sadeghi / Arabica 58 (2011) 210-299 289
misguided. Not only do eighteen test cases examined display a surprising
degree of stylistic unity (Section 5), but also on his viewpoint one would be
hard-pressed to explain the degree of concurrent smoothness
Moreover, one would expect revisions of earlier passages to dilute their stylistic
distinctiveness. In fact, while it cannot be denied that the Prophet revised
some passages over time, the present study shows that such revisions could not
have been extens
ive
There are also Dion: for the Sira literature. It has always been evident
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